2013年8月24日星期六

Emmy: studio type program

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Although the science fiction, horror and fantasy plan is the most popular audience, sentiment has been an emmy voters harder. For each game of thrones - which earned 17 Emmy noms, o drama series - there 's a zombie left nearly empty - handed. In fact, AMC's zombie apocalypse - drama earned just two below - the - line noms, despite a critically acclaimed performance from leading man Andrew Lincoln and a record during product In ratings.
Related: summary of emmy awards show
This is a bit of comfort, know The Walking Dead is far more. This series of products is The Emmy model established a popular and influential television franchise, such as "star trek, stargate SG - 1 and The x-files, loss and, more recently, HBO and FX American horror story. Buffy The deliberate - Slayer that earned allow attention almost exclusively for visual effects, sound, music and makeup, and when it comes to The most visible Primetime Emmy categories, a mere handful of genre shows have broken through to nominations - and even fewer wins: Game of Thrones
"It doesn't feel like there are a number of people are just naturally don't walk carefully, if a ship or if it involves the dragon," said Edward Kitsis, who created the ABC once after a period of time with their lost writer Adam horowitz.
Related: emmy: movie/short overview
Remi Aubuchon, executive producer on TNT's alien - night series Falling Skies, agrees, adding that great performances, don 't get the attention they deserve if they happen to be on genre shows. "I think that Noah Wyle (a five - time Emmy nominee for his role on ER) on our show is turning in the as nice a performance as actors on many other shows that don' t have aliens in them," Aubuchon says. "But I think because we do have that fantastical element, people get distracted by it."
Of course, no matter how dazzling the visual effects might be, viewers won’t watch a show week after week if it doesn’t have engaging characters in relatable situations. Horowitz and Kitsis say their experience as writers on Lost taught them that lesson, that story and character are the heart of any show. “When (viewers) understood the emotional problems behind these characters, they were willing to come down the rabbit hole into a world where there were smoke monsters and hatches and Dharma Initiatives,” says Kitsis.
Advances in visual effects have also made genre shows feasible in ways they previously were not, boosting them to proportions fans he never have dreamed of

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